Kelly Oliver

Light Paperback (1 lb or less)

Minnesota

A Jessica James Mystery

Wolf

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A Fiona Figg Mystery

Paris. 1917. Never underestimate the power of a good hat... or a sharp hatpin.




Sent by the War Office to follow the notorious Black Panther, file clerk turned secret agent Fiona Figg is under strict orders not to get too close and not to wear any of her usual "get-ups."




But what self-respecting British spy can resist a good disguise?




Within hours of her arrival in Paris, Fiona is up to her fake eyebrows in missing maids, jewel thieves, double agents, and high treason.

When Fiona is found dressed as a bellboy holding a bloody paperknife over the body of a dead countess, it's not just her career that's on the block.




Her next date might be with Madame Guillotine.

High Treason at the Grand Hotel

What's the best way to purge an unfaithful husband? Become a spy for British Intelligence, of course.

Desperate to get out of London, and determined to help the war effort and stop thinking about her philandering husband, Fiona Figg volunteers to go undercover.

At Ravenswick Abbey a charming South African war correspondent has tongues wagging. His friends say he's a crack huntsman. The War Office is convinced he's a traitor. Fiona thinks he's a pompous prig.

What sort of name is Fredrick Fredricks anyway? Too bad Fiona doesn't own a Wolseley pith helmet.

At Ravenswick a murderer is on the prowl, and it's not just the big-game hunter who's ready to pounce.

Betrayal at Ravenswick

California

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1917. Vienna. File clerk turned British agent, Fiona Figg, is more comfortable wearing a fake mustache than a ballgown.When a royal ball ends with a royal body in the middle of the dancefloor, Fiona trades her dancing slippers for practical oxfords and sets out to investigate.As she tracks her nemesis, the Black Panther, from Vienna to the Austrian countryside, a hunting accident makes her rethink her loyalties.Can Fiona prevent the Black Panther from striking again, save her own skin, and find a decent cup of tea, all before the enemy's emperor realizes she's a spy?

Villainy in Vienna

Saddle up for this first class historical mystery, perfect for fans of Helena Dixon and Verity Bright. London, 1918 Fiona Figg finds herself back in Old Blighty saddled with shuffling papers for the war office. Then a mysterious card arrives, inviting her to a fancy house party at Mentmore Castle. This year's Ascot-themed do will play host to a stable of animal defense advocates, and Fiona is tasked with infiltrating the activists and uncovering possible anti-war activity. Disguised as the Lady Tabitha Kenworthy, Fiona is more than ready for the "mane" event, but the odds are against her when both her arch nemesis, dark-horse Fredrick Fredricks, and would-be fiancé Lieutenant Archie Somersby arrive unexpectedly and "stirrup" her plans. And when a horse doctor thuds to the floor in the next guest room, Fiona finds herself investigating a mysterious poisoning with some very hairy clues. Can Fiona overcome the hurdles and solve both cases, or will she be pipped to the post and put out to pasture by the killer? What readers are saying about Kelly Oliver: 'A fun, mix of whodunnit and thriller!' T. A. Williams 'Fast-paced, tongue-in-cheek spy romp. Enjoy the ride!' Frances Evesham "Will keep you turning the pages and laughing all the way!" Dianne Freeman 'The perfect wartime spy; Fiona Figg is smart, sneaky, and full of surprises... A fun whodunit that will keep you turning the pages!" Cathi Stoler, author of The Murder On The Rocks Mysteries. "A cross between an Agatha Christie and a Sherlock Holmes sleuthing story. Just brilliant!" NetGalley Reviewer "Covert in Cairo is simply delightful. Kelly Oliver's immersive prose brings World War I era Egypt to life. Fiona Figg - with her tools, wigs, and disguises - is a sleuth you can't help but root for." S.K. Golden, author of the Pinnacle Hotel Mystery series. "This historical mystery delivers twists and turns. I can't wait for the next one!" Muddy Rose Reviews "I love Fiona Figg!" Margaret Mizushima "Couldn't put it down." Amazon Reviewer"A perfect blend of wit, fun, and intrigue." Debra Goldstein "I am hooked on these amazing characters." Amazon Reviewer "A fun diversion with an entertaining female lead."Kirkus Reviews "Fans of Susan Elia MacNeal will gobble up this series! Highly recommend." L.A. Chandlar "Diabolical plot twists, interesting red herrings, colorful characters, make this a good whodunit." NetGalley Reviewer

Arsenic at Ascot

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Illinois

Beyond Recognition

Challenging the fundamental tenet of the multicultural movement -- that social struggles turning upon race, gender, and sexuality are struggles for recognition -- this work offers a powerful critique of current conceptions of identity and subjectivity based on Hegelian notions of recognition. The author's critical engagement with major texts of contemporary philosophy prepares the way for a highly original conception of ethics based on witnessing. Central to this project is Oliver's contention that the demand for recognition is a symptom of the pathology of oppression that perpetuates subject-object and same-different hierarchies. While theorists across the disciplines of the humanities and social sciences focus their research on multiculturalism around the struggle for recognition, Oliver argues that the actual texts and survivors' accounts from the aftermath of the Holocaust and slavery are testimonials to a pathos that is "beyond recognition". Oliver traces many of the problems with the recognition model of subjective identity to a particular notion of vision presupposed in theories of recognition and misrecognition. Contesting the idea of an objectifying gaze, she reformulates vision as a loving look that facilitates connection rather than necessitates alienation. As an alternative, Oliver develops a theory of witnessing subjectivity. She suggests that the notion of witnessing, with its double meaning as either eyewitness or bearing witness to the unseen, is more promising than recognition for describing the onset and sustenance of subjectivity. Subjectivity is born out of and sustained by the process of witnessing -- the possibility of address and response -- which puts ethicalobligations at its heart.

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Villainy in Vienna

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